Why ''Thrillers'' Thrive Article

In this article, the writer is explaining why thrillers have more viewers than horrors, and why people like to watch horrors. The article says "In order to appreciate what the characters on the stage are going through, we have to project ourselves into their consciousness; we have to receive our thrills vicariously, which is not the most effective method" This shows that the audience has to want to watch the film so we have to make our thriller exciting.

"the cinema can leave the spectator with a subconscious assurances of absolute safety, and yet 
surprise, his imagination into playing tricks on him. Secondary to the type of thrill in which the audience seems to participate is the type of thrill in which the audience seems to participate is the type in some character who has won the audiences sympathy is involved in danger; and here again the screen can be far more effective than the stage, because the screen can produce an impression of great danger where no danger is." This is telling us that the cinema is far more effective in getting the audiences emotions than the theatre.

"On screen he is in no greater actual dangers, yet you look over and see yourself what a terrible height it is; you see the jump, you see the reptiles swimming about; you  not only see the jump, you see him fall, you see him hit the water, you watch him swim desperately from the crocodiles-and you must believe the evidence of your own eyes." This shows that the thriller film grips the audience as the audience is allowed to see the action from a first person view, as if they were actually there. This helps grip the audience and helps build up tension and suspense.

Thrillers tend to thrive as they offer a buzz to the audience, the audience feels the hero's emotions and tension, they audience feel as if they are there. The audience tend to be gripped from the start of the film, which is key in making the audience want to stay and watch the film. Thrillers worry the audience, as the hero seems to be in danger, the audience can sympathise with the hero and they want him to be saved.